Raat Akeli
Hai begins as the classic whodunit – one murder, many suspects. Thakur
Raghubeer Singh, a powerful Lucknow businessman, has been murdered in his
sprawling kothi on his wedding night. He has been murdered and bludgeoned so
viciously, that a character remarks: "Lagta hai koi bohot naraz tha is
aadmi se". It was the Thakur’s second marriage and there are as many
suspects, as there are family members.
This is the
classic upper-class dysfunctional khaandan. Enter the stubborn and spirited cop
Jatil Yadav, who insists on pursuing every lead to its logical end. I settled
in, thinking we were going to see a Hindi version of Knives Out. However,
debutant chief Honey Trehan and author Smita Singh, use sort shows to make a
shocking representation of male centric society. The men in the film range from
being merely entitled and sanctimonious, to being sexual perverts, rapists and
killers. The women, irrespective of their status – from the wealthy matriarch
to maid to prostitute – are collateral, to be used, abused, traded as the men
wish. It reminded me of a terrific scene in Sonchiriya, directed by Abhishek
Chaubey, who's also the supervising producer on this film. A female daku
Phulia, displayed on Phoolan Devi, tells Indu, played by Bhumi Pednekar, that
ladies are such peons, that they aren't in any event, meriting the barbarous
position framework.They are the lowest of the low.
This expansion of a murder mystery layers the
narrative, but it also makes the screenplay unwieldy. The bodies pile up.
There’s greed, police corruption, family politics, servants who know too much
and powerful benefactors trying to sway the investigation. For the first hour
or so, Honey keeps the storytelling twisty and taut. We are introduced to the
feral characters, all of whom seem to be hiding something. The Thakur’s
sprawling home, with long corridors, backdoor stairways and expensive-looking
decorations and wallpaper, is a character itself. The women, especially Radha,
who is the new mistress of the house, seem trapped within these walls, which
reek of the rot within. Jatil, who must wade through this muck, refuses to do
it politely. Jatil means complex. We are told that his name was Jatin, but his
mother changed it, perhaps in anticipation of exactly this case.
The
relationship between Jatil and his mother, played wonderfully by Ila Arun,
provides the few tinges of humor in the film. All she wants is for him to
marry. He’s fixated on finding a decent girl, but his mother, who is far wiser,
tells him: "Bahar ki cheezen dekhoge toh dhoka hi khaoge". Of course
through the course of the investigation, Jatil’s idea of what constitutes
decent, takes a U-turn. Honey, whose worked extensively with Vishal Bhardwaj
and Abhishek, isn’t afraid of peering into the darkest recesses of human
nature. The violence in the film is both psychological and literal. Honey and
DoP Pankaj Kumar, who also shot the stunning Tumbbad, skilfully stage scenes of
lawlessness. A stand-out is one toward the end, when several characters meet
under a bridge at night.
The frantic,
incessant traffic overhead, doesn’t interrupt the bullets underneath.
Nawazuddin Siddiqui, who is almost in every frame of this film, shoulders the
weight admirably. He manages to find the sweet spot between the flamboyant
Dabangg UP cop and an insecure, irritable man who demands justice. Radhika Apte
matches him with her fiery presence and conviction – her eyes blaze with fury
at her circumstances. Honey, who is also a respected casting director, fills
the frame with solid actors – among them, Shweta Tripathi, Shivani Raghuvanshi,
Aditya Srivastava and Tigmanshu Dhulia as Jatil’s superior. Each one
contributes to building this claustrophobic world. Raat Akeli Hai has a
two-hour twenty-nine minute run time, which dissipates some of the tension of
the film.
The songs by
Sneha Khanwalkar dilute the suspense further. Moments in the film feel rushed,
like Honey and Smita just wanted to tie up the loose ends. I'll also admit that
I’m getting weary of watching women being brutalized on streaming platforms –
from Mrs. Serial Killer to Paatal Lok to Bulbbul to Raat Akeli Hai. Why is
there such a consistent strain of violence against women? But if you can make
your peace with that, Raat Akeli Hai is a gripping tale of murder and revenge.
And I must mention Honey’s sly sense of humor. He finds the inherent absurdity
in the visual of a bride sitting in all her finery on the nuptial bed, while
the groom has been murdered. He also lingers for the briefest moment on a sign
that reads: UP Police. Always at your Service. It’s at once, funny and
chilling.
The title Raat Akeli Hai comes from the
classic S. D. Burman song from Jewel Thief. You remember the glorious Tanuja,
in this figure-hugging gown, with Asha Bhonsle’s velvet voice, inviting the
dashing Dev Anand to whisper something in her ear? It’s flirtatious and fun and
playfully seductive. This film is the exact opposite of that.You can watch Raat
Akeli Hai on Netflix.
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